JUXTAPOZ 176 witchcraft and expositions abound

and expositions abound

What made Cruising remarkable was its unflinching exploration of queer life and desire at a time when few mainstream novels dared to

the book dives into the neon-lit world of mirror balls

Mary Fleener

JUXTAPOZ 176 witchcraft and expositions aboundIssue 176 feels like Juxtapoz in total technicolorpatient where it needs to be, chaotic everywhere else, and filled with artists who bend reality into new shapes. It opens with Richard Colman in Studio Time, his geometric figures and collapsing, candy coloured worlds giving the issue an immediate pulse. A quick shift to Perspective looks back at five years of Outside Landsmusic, murals, fog, and San Francisco energybefore the magazine dives into a